Winter is Here!

Our first snowfall happened October 25, almost a month later than last year, with a record-breaking  55 centimeter dump on FSJ. 55 cm!! That’s a lot of snow and it caused havoc, as you might imagine. I just barely got out of our garage; none of the side streets were plowed and the main drags of 100th and 100th had only a single lane each way. Arriving at the Cultural Centre for work, there was nowhere to park, since the lot was not plowed. I did manage to drive the car into the lot but then got stuck in the middle of it, along with every other car and truck that attempted to come in. Below is Oliver, the Operations Manager of the Cultural Centre, digging out one patron who got stuck.

After an hour’s work of shoveling, I managed to free the car from the snow enough to get it into a parking space. And then I was praying that the temperature wouldn’t drop before I left and freeze the car into place!

Since then it has been snow, sub-zero temperatures, freezing rain – in other words, full-on winter. The balcony chairs and table, and the BBQ, have acquired mushroom tops that get progressively bigger.

Of necessity, I have learned how to drive in snow and ice and the proper tires are an absolute must – you might remember that one of the first things we did when arriving up here was get new snow tires!

After a snowfall the city plows and trucks are out in force; first, the roads are plowed such that the snow is piled in the centre of the roads. Then, one truck scoops up these piles and dumps them into a gigantic dump truck which then hauls it away somewhere.

But in public parking lots the snow is simply pushed into big piles in the corner.

These gigantic piles remind me of the tall snow drifts when I was a kid in North Vancouver; they could be up to 8 or 10 feet tall and reach up to the eaves troughs of the house.

I continue to go out to Miep’s studio at Charlie Lake when I can. Lately I have been working on a small series of black and white woodcuts of body parts: so far I have a heart, pelvis and skull.

Mary was working on a series of small woodcuts as demo pieces for the class she was teaching through the gallery.

Diana is experimenting with monoprints and collagraphs.

Ken, a former biology teacher and highschool principal, took up wood and stone carving when he retired. He creates wildlife pieces; this one is an eagle in alabaster. In fact, most of these folks are or have been teachers.

Sandy is a retired elementary school teacher who took up painting in earnest when she retired; she is a master of the peace area landscape.

Mary was kind enough to show a couple of us the technique of cyanotype printing, a form of art-making that was originally developed for making blue-prints (cyanotypes are literally blue in colour). You can use photonegatives, drawings, paintings, or photocopies on mylar and actual organic material, such as plants. Below you can see all these materials deployed. Once the material is arranged on paper to your satisfaction, you then place all of it, as is, into a light box for six minutes, then dip the paper (after removing all that material) into a couple of chemical baths to be developed.

Here are some of the materials that I was working with to create mine.

I made several prints but was only happy with one – this one:

I played around with the colour in photoshop a bit.

Mary and Charlie have gotten a beautiful miniature schnauzer pup named Buddy, who accompanies them to the studio. A very sweet little guy, he reminds me of Brubin when he was young.

In addition to her 8 husky sled dogs, Miep has three pet dogs (2 of which are brown retriever puppies) and a couple of pet birds, including this fancy chicken.

I’m enjoying working at the Gallery and curating a few exhibitions there before we head south. Our most recent show, entitled Varieties of Abstraction, featured five artists who shared their individual views of the world around them in works that appealed to both the eye and the brain, giving us alternative views of the natural and human landscapes. I was really happy with how it looked and everyone who saw it thought it was great.

Below is the poster I designed for the show.

Varieties of Abstraction

The opening was great, with music by the Intermezzo Quartet and Ty manning the bar table.

Here’s a link to an interview I did about the show with local TV media Shaw Cable.

We had another Book Launch in October, featuring Pat Ferris, a local writer and cycling enthusiast, presenting his latest, a thriller set in the not-too-distant future entitled His Disciples Watch. Along with Pat, the evening included a special musical guest, local singer-songwriter Lorissa Scriven.

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The Gallery Artist-in-Residence program I started continues to showcase the creative process of local artists, such as painter Laurie Yates,

painter, photographer, and textile artist Eliza Stanford, working on rug hooking,

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Natalie Brekkaas doing pottery,

Ken Forest working on his wood relief carving of two Canada geese,

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and Alex Neilson spinning art yarn to make bracelets.

Fort St John has an annual Christmas Parade – I have never seen it because the book club meets the same evening but these photos by Darcy Shawchek give you an idea of what it looks like. This evening was a cold -20 or so.

The photos below, by Norman Siemens, are of Centennial Park all dressed up in lights for the season.

For the past two weeks I have volunteered my teaching services for my friend Lorna’s alternative school in Baldonnel, called Freedom Thinkers. The school is located on the property of the couple who run it and consists of several buildings that used to house a horse stable. Many rabbits cruise around the place.

Freedom Thinkers is small, about 60 students in grades 4-9; last Monday I taught the older students about Modern Art and we did some hands on exercises in Cubist drawing and a Surrealist game entitled the Exquisite Corpse.

For three players, Exquisite Corpse, also known as exquisite cadaver (from the original French term cadavre exquis) or rotating corpse, is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule or by being allowed to see only the end of what the previous person contributed. The name is derived from a phrase that resulted when Surrealists first played the game, “Le cadavre exquis boira le vin nouveau.” (“The exquisite corpse shall drink the new wine.”) In this version of the Exquisite Corpse game portions of a person are drawn or collaged by three different participants successively, without being able to see what has been done before.

The kids really enjoyed the game and the results were great – we pinned all the drawings on the walls and they spent quite a bit of time looking at and discussing then.

I haven’t had much of a chance to hike this Fall; on one of the excursions that I missed the group came upon this evidence of a grizzly bear in the vicinity.

I did get out a couple of weeks back for a hike through the snowshoe trails of Beatton Park with Sharla and Sandra and a few others.

I felt quite out of shape in the company of these amazing women who never seem to slow down – by the end of our hour and a half slog through the snow I was panting pretty hard.

Sandra continues to amaze me with her stamina and strength; one of her grand-daughters came with us, a seven year old who got a bit tired towards the end so Sandra carried her the rest of the way back to the car.

After the hike we headed back to Gail’s place for a lovely brunch of German pastries. I was fascinated with all the birds that make their home in the trees in her front yard, including three beautiful blue jays.

On Ty’s last set of days off we headed out to the Fish Creek forest for a walk through the winter wonderland, having not been there since the summer.

We no longer venture down to the bottom of some of the trails; the slide areas are large and we don’t know how stable those fallen trees are. And who knows if those trails will ever be open again; it would be a massive job to clear out all that log debris.

Ty is a happy man with the anticipation of winter sun coming his way in the not-too-distant future. Here he is in full winter gear, with his orange parka and fleece, good to -40 apparently! I continue to hope that we will not see -40 again this year.

And finally, for now, I’m happy to announce that my experimental short The Vanishing has been selected for the inaugural Short Film Festival of Biodiversity in Porto Real, Portugal.  The main purpose of the Short Film Festival of Biodiversity is the “promotion and diffusion of natural ecosystems and biological heritage through cinematographic and audio-visual works selected according to quality criteria.”

(And lo and below, we are right now in the middle of a snowfall warning, with 20 more centimeters expected by 9 pm tonight …)

See more photos here, here, here and here.

Golden Autumn

 

Well, last year up here winter began with a snowfall that never left on Sept 30. But this year it’s a different story: it’s still sunny and quite warm some days, although at night the temperature goes down below zero. We still haven’t turned on all the heat yet – saving that for later in the year. (The winter electric bills up here are a killer!)

On Ty’s last set of days off we managed to get a nice hike in on Sandra’s brother’s property up in Rose Prairie. When we were there before it was the end of June and summer; now the colours and vegetation have changed and I almost did not recognise some of the places.

The walk goes past two small oil pumpjacks and along the ridge above the Beatton River. As you can see the grasses and trees are yellow and golden now. Really stunning!

Here Ty is pointing out the berry-filled bear poop on the trail. I am amazed that everyone up here can distinguish between bear, moose, deer, and dog poop. I was also a bit nervous to see that this particular pile was fresh. The others reassured me that, because there were so many berries this year, we did not need to worry about becoming this bear’s next snack …

After a warm walk downhill, we reached the riverside and its sandy banks.

It was a pretty warm day and we found a nice spot in the shade under the trees to have lunch. Luckily the mosquitoes have more or less left this vicinity; however, the wasps and ants were still actively sniffing around for food.

The way down was a pleasant stroll, while the way up again was a bit of a hot slog.

This beautiful golden season does not last long, this year about 4 weeks (last year it was 2 weeks). Now, two weeks after this walk, almost all the aspen trees are bare, stark skeletons against the bright blue sky.

For the last three months I worked on the set projections for the Alcan Craze of ’42 with Director Michael Armstrong of Nanaimo and local playwright and musician Deb Butler. The play is about the building of the Alaska Highway in 9 months in 1942, with thousands of American soldiers coming to the north, and the impact that event had on Fort St John and the surrounding area.

All that hard work paid off with wonderful reviews for the 25 videos I produced using historical images and movie clips. My clips were between 6 seconds and 6 minutes long and were used to flesh out the story, projected on the big wall behind the actors. Here are a few samples from the production.

Some of the images were stills, others are part of a moving montage.

  

And here is a video clip of the final scene of Act One, dealing with the drowning of 12 soldiers in the icy waters of Charlie Lake.

Drowning Scene.

Life at the gallery continues: September was a busy month with preparations for the Annual Art Auction which came to fruition on the last Saturday of September at the Pomeroy Hotel, with a buffet dinner, live music, live auction, silent auction, games (Heads or Tails below), bucket draws, and 50/50 draw. One hundred and twenty-five people came and we raised $25,000 for the gallery and visual arts programs in this community.

Featured artist this year was Karl Musgrove, a local rancher and artist who continues to paint every day even after having had a severe stroke that impedes his ability to talk and walk. Below Karl receives a standing ovation from the crowd.

I lasted until the last round of the Heads or Tails game and then was eliminated, leaving Miep (centre below) the happy winner of Cody Smith’s King of the Mountain painting.

Here’s a picture of auctioneer Brian Baldry in action; he’s very good at his job and was able to get some determined folks bidding against one another for the paintings on offer, resulting in very good prices for the work.

Gallery artists in residence continue throughout the Fall, with Judy Templeton wowing the crowds with collagraph printing on a tiny press.

And Laurie Yates painting.

On the day that Laurie was in residence, we had a visit from two Japanese cyclists who were heading through town on their way south, having begun their ride at the most northerly spot in Alaska. One, the gentleman on the left, is riding to the southern tip of South America, Tierra del Fuego, expecting to take two years to get there, and the other is going to Los Angeles.

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We’ve had two very successful events at the gallery in the last few weeks, the first a book launch, reading, and signing with local author Ronnie Roberts, who presented her post-apocalyptic novel set in the North Peace entitled Lost Sentinels. (There is a very active writers group here in FSJ, who meet every month at the library next door to the gallery).

As we pulled into the Cultural Centre parking lot for the event, the cloud formation overhead looked strange and almost apocalyptic.

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Along with Ronnie, local musical quartet Intermezzo serenaded the crowd with Baroque favourites.

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Ty serving wine and chatting up the crowd; he is the gallery’s defacto bartender for these evenings and does very well at it!

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Ronnie giving her signing hand a workout. We sold all but three of her books at the launch.

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And Fort St John’s two bassoonists meeting one another.

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The second event, just a few days ago, was the opening of Flora & Fauna: Block Prints by Catherine Ruddell and Driftwood Sculpture by Michelle Pringle, a beautiful show by two young local artists. It was a great success, attended by a big crowd, and received a very positive review by the local paper. (At the Cultural Centre there is an arts-based preschool, whose members came by the other day for a gallery visit as we were installing the Flora & Fauna show.)

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Here’s a short video I made of two of Michelle’s pieces arriving at the gallery.

Anderson & Libby arrive.

Intermezzo, in its trio version, played light jazz for the opening as the guests mingled and took in the art, including four life-size and over-life-size driftwood animals and an enormous quilt.

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The picture of the artists, below, was taken by Matt Prepost of the Alaska Highway News.

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Photo of Catherine’s block print quilt by Matt Prepost.

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There is also a very active photography club here in town, many of whose members head out nightly to capture the aurora borealis and daily to capture the changing seasons. The three photos below are by Vincent Bedier, whose handle is VinDronus.

I’m very happy to say that a couple of my films have had success recently. My experimental short An Accident of Being has been selected for this year’s Roma Cinema DOC in October 2017. Roma Cinema DOC is a monthly film festival based in Italy that features films, documentaries, and web series from around the world. Every month, Judges award the best films of each category. Every winner is given the distinction of an Official Finalist of the annual event in which Judges and Audience will award the best films of each category. The 2nd Roma Cinema DOC event will take place in October 2017.

And my short experimental film The Vanishing was selected as a semi-finalist for the 2017 Kaohsiung Film Festival International Short Film Competition in Kaohsiung City, Taiwan. Held in October and November 2017, the Kaohsiung International Short Film Competition is dedicated to discover new filmmakers and to enhance cultural exchanges through short films.

And, finally, for this dispatch, Happy Thanksgiving to you all, wherever you may be! We had a wonderful meal at Eliza and Edward’s place, with tortiere, homemade soup and bread, and a very tasty dessert, especially appreciated by Ty who has been on a no-dessert diet for the last two months.

See more pictures here and here.

 

Easing into a Northern Fall

I am back on the hiking trail, getting some last walks in before the snow flies. The first two weekends in September we have gone to the Beatton Hills between Fort St John and Cecil Lake to climb up and along the ridge that fronts the river valley.

Sharla, Sandra, and Irene are mountain goats and so are the three dogs we travelled with, Gus, Kaiser, and Bear. Getting up to the top of the ridge is STEEP and, since the soil is so dry, slippery!

Although not nearly as long a trip as up to Battleship Mountain the trail is almost as steep.

There are several small dips before the trail finally reaches the top. Along the way we pass many different types of berry bushes and, of course, the Trembling Aspen trees.

Thankfully, the berries this year have been very lush so any bears in the area will be well-fed and not interested in us! (Especially now that I have seen the movie Backcountry, I am happy that a bear has not yet intruded into my space!) Good old Gus, the 14 year old miniature Schnauzer, continues to amaze me with his stamina.

In the far distance of the photo below looking west you can see the highway that leads back to the highway that leads back to FSJ.

Looking east you can see the Beatton River down below.

The photo below shows a mini-ridge partway up the hill.

And way down below you can see one of the vehicles parked along the roadway.

We keep climbing higher and higher …

Finally we reach the top and the ridge that runs along the hilltop.

The dogs are as happy as we are to be finished with the onerous uphill journey.

We saw a couple of crows harassing a hawk in flight.

At the very top is a pumpjack, a small oil well. These are everywhere in the landscape here.

The landscape is really beautiful; we rested here and had our lunch over looking this valley.

Far down below was the ubiquitous wrecked car abandoned in the fields.

Across the highway from the hill on which we are hiking is another matching hill and on its ridge, is Sandra’s house, below silver with red roofs.

I was a bit nervous about the idea of coming down the same way we went up, because it was so steep and slippery, but we found another trail leading off to the left which Sharla believed would lead us down to the river through the forest of aspen.

After one wrong turn, lo and behold, yes, the trail did take us down, albeit very steeply (but not as long as the one that brought us up) to the river below.

Another weekend, another killer trip up the Beatton hills, this time with Sharla, Shelley, and Sharon.

This day was hotter, a perfect late summer day.

We had a bit of difficulty with this selfie, trying to get all four of us, plus the background, into the frame, good for quite a few giggles.

Gus was apparently really bagged after last week’s walk, but here he was back again this time for more.

As you can see, the water in the river is very low – it has been a hot and dry summer here.

Finally, almost all the landscaping is done around our complex. Unfortunately, the landscaping company just left most of the plants sitting around in pots for weeks without water so many of the trees and shrubs they finally planted were already dead. Unbelievable. No-one seems to care about this except me – I find it atrocious.

It has been very dry here for weeks and the forest fire risk is very high. Ty & I were in Fish Creek Urban Forest for the first time in a couple of months and I was very surpised at the number of dead conifer trees.

Down closer to the creek there were fewer dry, dead trees and more greenery. Here, too, the soil is dry, dry, dry, but, amazingly, there is still some wet mud in spots down close to the water. The Creek is very shallow right now, too.

We had a good long walk, two loops around the lower portion of the park, before heading up and out on what proved to be a very hot Labour Day.

At the beginning of this week the temperature dropped to 10 degrees with an arctic wind blowing; I was convinced that winter was coming … but yesterday it was back up to somewhere in the 20s, hot and dry. Things change up here fast in the north country!

Artists continue to join me in the gallery to share their creative journey; so far this month, mixed media and textile artist Barb Daley and painter Laurie Yates, a retired school teacher, have been in, sharing their process with gallery visitors.

Barb is working on some fabric pieces for a group show in November called Varieties of Abstraction. These are part of her homage to Leonard Cohen and the exhibition dates nicely coordinate with the anniversary of his death.

Barb’s mom Jane continued to join her to share stories about the olden days and her life as a tailor back in the day.

Laurie decided to work on some paintings while in residence.

It’s great to see the young kids in the gallery getting interested in how to be creative. Here is Sarah, one of my yoga teachers, with her son Henry who is in his first year of an arts-based preschool held at the Cultural Centre.

The gallery’s furnace is being replaced, which has left the backroom in disarray and meant that everything in storage had to be brought out and put into the multipurpose room next door until the messy, noisy, and smelly (of metal being cut) job is finished.

Laurie braved the less-than-pleasant circumstances to share her ideas with interested folks on her second visit.

I mentioned a while back that I was doing the set projections for the Alcan Craze, a play dealing with the building of the Alaska Highway here 75 years ago. My work on it is done – I have created about 34 short video clips, from 6 seconds to 3 minutes long; now I just have to wait to see how the images look when projected at the tech rehearsal next weekend.

Alcan Craze of '42

I attended one of the rehearsals at the Cultural Centre to see how things were going so far. Director Michael Armstrong and playwright Deb Butler were being interview for the local shaw Cable channel.

The set is pretty minimalist because the projections, on the white cyc (curtain) at the back, will in essence set the scene and elaborate on the action.

Some of the folks from Buddy Holly are also in this production, as are many of the back stage personnel.

I’m looking forward to seeing everything come together at the tech rehearsal.

The weekend of Sept 8-9 saw us rolling down the road again to Grande Prairie to get another art fix. Ty had the week off so we decided to hit the openings in the city, featuring several of the Fort St John and Dawson artists.

Several of us met up at Earl’s, just next door to the Sandman where Ty & I had booked a room – that was very convenient!

Although Ty & I have been through this city a few times, we have never actually investigated the downtown scene so this was the perfect opportunity. GP is about the size of Nanaimo, although with fewer people (about 61,000), and is completely flat. It has three galleries, The Art Gallery of Grande Prairie (below – a contemporary art facility that is the second largest in Alberta),

the Centre for Creative Arts, housed in what looks like an old school building, and the Grant Berg Gallery, a commercial space.

The Centre for Creative Arts was hosting two shows opening this night, the Peace Region Federation of Canadian Artists Moody Hues show and a solo exhibition of paintings by a local GP artist.

In addition to the exhibition spaces, this place also has a gift shop and several studios in which to take classes and produce one’s own work for an extremely reasonable price.

Since both openings were happening the same evening, and the two exhibition spaces are very close to one another, people could go back and forth between the two, which was handy.

We slipped out the back door of the Centre and headed over to the AGGP, a recently renovated and expansive facility in the Montrose Cultural Centre. Interestingly, the main floor gallery was just getting set up for an exhibition of Lyndal Osborne, an installation artist from Edmonton whose work I really admire. She used to be a printmaker but has been working in very large-scale multi-media installations with organic media for the past twenty odd years. See her work here. I curated a show at the Nanaimo Art Gallery many moons ago that included Lyndal’s work.

A really good turnout of people from Fort St John and Dawson Creek came out for Mary Parslow and the collaborative exhibition of mary mottishaw and kit fast, as well as the pit-fired ceramic work of GP artist Ken Lumbis. It was great to see so many people I knew make the 5 hour return treck to support their fellow artists. Artists are always very grateful to the folks who come out to celebrate the sometimes years-long creative process that is finally unveiled at these openings.

mary and kit are conceptual artists whose work addresses human interventions in the landscape and the legacy of industrial oil and gas production in the Peace region.

Mary’s prints looked beautiful; unfortunately, for picture-taking at least, there were too many people in the room to get good pics of the works itself.

Ken Lumbis, whose works will also be featured in the Varieties of Abstraction show at our gallery in November, has a nice selection of his smaller ceramic wall pieces installed downstairs.

We had intended to hit the Grant Berg gallery on our way out of town back to FSJ but ended up leaving before the Gallery opened so that will have to wait for another visit.

We stopped for lunch in Dawson at a 50s style diner that had been especially made for the restaurant proprietor in Alberta, complete with chrome fixtures and Buddy Holly music.

And, finally for this report, yesterday on a wonderfully summery day, Sandra, her inlaws, and I visited the shores of the Peace river on the property of one of her friends, to get an overview of Site C and its progress. Sandra’s friend Esther is a horsewoman and owns 1 or 2 sections of land along the river ridge.

We walked across her well-mown fields down to the ridge overlooking the river, accompanied by what looked like an Anatolian sheepdog, a huge and friendly beast.

From here we could see quite far in each direction and observe the work that has been done on preparing the dam site. We wondered whether Ty was driving around in his pickup as we were watching from above.

 

The treaty 8 bands have a watch-shack here, with a telescope set up to observe the goings on below.

Two photos by Don Hoffman adorn the walls and remind visitors of what the river valley used to look like before construction began.

See more here and here.

From Canola to Art

Yellow canola fields here are a revelation! I remember watching the first episode of the British version of detective show Wallander, featuring vast fields of electric yellow against a brilliant blue sky, not knowing what the crop was.

Well – canola! Apparently the fields are only yellow like this for a few weeks before harvest. I took these pictures of the fields along the Montney Road north of here, on the way to an art day at Lorna’s farm overlooking the Montney valley.

During the summer the Flying Colours Art Group does a lot of plein air painting and Lorna invited us to her hacienda and farm in Montney to see her little piggies and paint. Their property is on the crest of a hill and below is the view from her gorgeous front veranda, a panorama out over the Montney Valley. The three photos below are a panorama of the valley from Lorna’s veranda, a large porch that surrounds the hilltop house on three sides.

Lorna and her partner are getting out of farming, so they rent out their fields; right now the fields are in peas; this is the brighter green you can see behind the line of spruce trees. They still have some pigs, though, and we all were treated to an inspection of the pigpen and piggies as she fed them. Below some of our group traipsing across the field to the pen.

And the pictures below show the hungry critters at the trough.

Here Lorna and Miep are checking them out more closely.

Here is a photo of the garden area around the house, with the potable water tank (the water is trucked in) surrounded by pink flowers.

Along with art, we consumed a lovely lunch provided by the group, most of whom made their contributions – wonderful food!

These pictures of me in action on the veranda were taken by Miep.

As were the photos below of Lorna and Sasha on the trampoline and the piggies in their pen enjoying a mud bath.

When I saw these guys, I was momentarily amazed at the size of their ears, but then I remembered the pigs ear treats that Brubin used to consume …

After enjoying our time with the pigs, we set up shop on the veranda overlooking the valley to draw, paint, and carve on what was a lovely sunny summery day. Ken, a retired school administrator and teacher, has taken up relief carving and works on wildlife images.

Most of the others favour landscape; below Diana is giving her plein air kit a workout.

Sandy specialises in landscape and was sketching the valley in preparation for an acrylic on black canvas painting that she later completed in the Gallery when she was Artist-in-Residence.

Round hay bales are everywhere on the hills here, and more pictures of the brilliant yellow canola fields on the drive back to town. I could not resist stopping every once and a while to document this vision.

Back at the Gallery, our second artist-in-residence Sandy spent two afternoons painting and interacting with visitors. Here she enjoys a visit with Audrey Bodnar, one of the pioneering painters in the area who has been involved in the arts her entire life. Now 92, Audrey is back in FSJ after many years down in Kelowna and interested in getting back into painting.

Painting in acrylic on black canvas is one of Sandy’s trademarks and she very generously showed Audrey and others how it was done.

Below is the painting she is executing from the sketches done from Lorna’s veranda.

She managed to almost complete two paintings while in the gallery, the landscape from the deck of Lorna’s house, and a 12 x 12 inch sunset-scape, pictured below. Sandy is going to give a workshop on this painting style at the Cultural Centre this Fall.

Ty and I joined Sandra, Sharla, and others for a birthday BBQ in Sharla’s backyard, where we sampled steak and ribs, and the joys of patting Sharla’s old tomcat. (Ty & I are both missing our animal family)

 

On a variable-weather Sunday a group of us headed out to Beaverlodge, Alberta (about 2.5 hours east from here) for the Euphemia McNaught Homestead Festival, a day of art, food, music and more at Euphemia’s country estate. Before coming up here I had never heard of either Beaverlodge or Euphemia McNaught but Euphemia painted with the Group of Seven and left her farm and all its buildings to the Province to be restored and kept as a place for arts and culture events. Below is her painting studio which Miep, Charlie, and Mary set up to display prints.

Lorna, Mary, and I had a table in the sun to display prints and printmaking paraphernalia.

Below is my end of the table with a couple of lino and wood blocks and some mixed media works.

Other artists were there, too, including Dan Arberry, a painter from Grande Prairie, who chats below with Irene, Lorna, and Mary.

Along with art was an owl; a wildlife officer brought his barred owl to the Festival; she only has one wing so can’t be returned to the wild but what a beautiful bird. Lots of people were very interested in her.

Another fun part of the day was riding in the old homestead wagon out to the lake on the property, where a group of folks had fundraised to build a boardwalk and bird-viewing blind.

We rolled slowly through the hay fields, drawn by two large horses.

The boardwalk travels out over the wetlands and culminates in a viewing platform, from which one can see, if lucky, many varieties of waterfowl, dragonflies, butterflies, and … mosquitoes.

Two telescopes have been donated and people took turns gazing with them out over the lake beyond.

I saw a Bohemian Waxwing, the yellow and black bird below, and was able to get a couple of pictures of it.

Later on in the afternoon the clouds rolled in, the wind came up and, seeing rain approaching in the distance, we rolled back to town. Below is a view of Dawson Creek and fields from the truck bypass road.

And a view of the Peace River Valley coming down the highway into Taylor, about 20 km from FSJ.

The landscaping around our neck of the woods is slowly, very slowly, coming together, as is the elementary school being built around the corner from us.

Another day, another trip into the countryside: Sandra invited us to come along on a fishing trip and visit to her property at Upper Halfway, a remote valley about 2.5 hours north along the Alaska Highway – here’s a view from somewhere along the way.

Below is the Halfway River that comes into the Peace down by Hudson’s Hope at Bear Flats.

While we waited to rendezvous with other members of our party, we took a walk through one of the recreation areas up here; Ty points out a board nailed onto two trees for campers to put their food out of the way of bears.

Sandra’s old dog Kaiser enjoyed snapping at the river’s waves.

After cruising along through valleys, fields, and woodland we arrived at the property which Sandra had described as having a “cabin”. I imagined a tiny very rustic wooden shack … well, this cabin was an enormous fully-furnished log house with two smaller outbuildings. The furnishings included quite a few animal heads on the walls.

Atfer unpacking our gear, we drove through the fields down to the river where Ty and Heinz set up shop to fish while the rest of us hiked through the fields.

Sandra has given this property to her four children and their kids: it is 161 acres of fields and pasture along the Halfway river. Below Gus the dog, Sharla, Jane and Sandra walk through one of the pastures, heading south-east. Long grasses and tiny flowers cover the ground here; poor old Gus was just about able to see over them.

Lots of goldenrod plants here, very attractive to these black and white butterflies.

The old RV in the pasture below was used as a game blind, where hunters could set up shop hidden from the various animals that come through here.

Below Sharla carries her container of bear spray, very prudent considering the bear skat evident in the fields.

Along with flowers, the fields have wild strawberries, tiny and delicious red berries almost hidden under the plants’ leaves.

Amazingly, to me, the guys did catch some kind of river trout which they BBQ’d for lunch.

After a lovely lunch we cruised back towards the highway, making one additional turnoff to a riverfront property somewhere south west along a gravel oil road to visit one of Jane’s friends and see her food garden. This property, in the back of beyond as far as I can see, used to be used as an oil and gas camp, its flat field a former air strip for small planes and helicopters.

Marcia works this garden everyday, giving its produce away to charities such as the SPCA.

Below is a picture of the area that was formerly an airstrip.

While there, we took a walk around the perimeter of the place, stopping to check out the wildlife viewing platform that Marcia and her partner have built.

It looks like a tree-fort but is actually quite a large space from which to see out over the fields and trees.

In the trees below we saw a grouse and two babies.

Tiny pink and purple flowers carpet the area. Being an urban character as I am, the feeling I get from being out here in what I consider to be an extremely remote area is a bit of anxiety. Not sure whether it’s a kind of agoraphobia or claustrophia – maybe both!

Back in town, Irene Gut, an encaustic artist originally from Switzerland but here in northern BC for about 28 years, was our Artist-in-Residence, letting people in on the magic of painting with wax.

She demonstrated how she creates works with a hot iron, cubes of beeswax, and specially prepared paper, melting the wax on the iron’s surface, then running it over the surface of the paper, then scribing into it or using paper to make textures in it. She is making a Swiss mountainscape triptych at the moment.

Our weather has been very variable this month, from very hot, dry and sunny, to monsoon-like downpours and lightning storms, to dust storms in which we have to run to close all the windows so the soft sand particles do not settle themselves on every surface, adding to the already dusty ambience in our home.

But the other evening we enjoyed a lovely mellow evening in the garden at Linda and Rick’s Charlie Lake abode, dining Tuscan-style in the garden.

Photos below are by Famous Amos: Two moose in a canola field and sunset over a canola field in northern Alberta.

Image may contain: nature and outdoor

Image may contain: sky, cloud, grass, outdoor and nature

Image may contain: cloud, sky, twilight, outdoor and nature

See more of my photos here.

Gallery-Going and Walking in July

On a Monday day off, Sandra, Ty & I headed north to Rose Prairie for a visit to Beatton River and the countryside north of FSJ. The fields are lush and green with growing crops, including wheat and canola, the latter’s yellow plants just starting to flourish.

Although there are some large farms and ranches in this area, like the one pictured above, most of the farms are small family or hobby farms. We took a right turn somewhere out there and found ourselves on a narrow, deeply rutted dirt track through a farmer’s property leading down to the Beatton River south of where we had hiked the previous month.

All along the path were plants that I thought were Queen Anne’s Lace but turned out to be the related Cow Parsley. We parked at the top of the ridge and walked down towards the river under a canopy of aspen trees.

Sandra pointed out these cool large orange mushrooms growing at the side of the path.

A ways downhill is this very steep slope that some folks use to tobaggan down in the winter – yikes!

Wild pink roses are also plentiful in this part of the world.

Although the road was mostly clear of litter, Ty did stop to pick up some garbage on the way down to pack out.

You can see how deep the ruts are in the photo below, the result of trucks and heavier vehicles driving right down to the river.

In the background of the photo above is the ubiquitous burned-out derelict car in a field – I don’t get that. A closeup below.

Once down on the flats the woods opened up onto the river bank, dry and also scarred with narrow ruts. Apparently the “island in the stream” in the photos below never used to be here … the river and its banks are always changing according to the weather conditions.

We staked out a spot riverside to have lunch and enjoy the afternoon sun which came and went behind the clouds drifting by.

On the other side of this fast-flowing river, atop the bank, you can see where the ground is sloughing away beneath the stand of trees.

A while later we headed a bit north to the riverside property of one of Sandra’s brothers to enjoy a beer on his deck. Strangely he has some sort of odd electric golf cart stationed deckside which of course I had to try out, zipping around the property quite speedily.

This property is beautiful, many acres riverside and along the banks, with crop fields and gardens as well as untouched aspen forest. It would be fantastic for an artists’ residency in the summer …

As you know, I have been hired as the Peace Gallery North’s manager and my first order of business was to hang and open the Elizabeth Harris show. A few people were kind enough to volunteer to help in that process; below Linda is assisting in unpacking and getting the ceramics ready for display – she was also kind enough to touch up the rather battered plinths with black paint.

It took Elizabeth and I the whole day to unpack, place, and re-place the works, including painting, fabric art, ceramics, and photographs, for display.

A new project for Elizabeth, who is known for her lively and colourful animal paintings and ceramics, is the Canadiana apothecary bottle series below.

One of the guests exhibiting with Elizabeth is Catherine Nicholls, whose fabric piece detailed below I love.

Elizabeth grew up on a ranch outside Fort St John before going south to study and work and her family, who came out for the opening, still lives in the area.

It was great to see friends Sandra, Patrick, and Niki come out, on what turned out to be an incredibly stormy evening of torrential rain, thunder and lightning – a veritable summer monsoon.

Flying Colours friends Sandy, Miep, Linda, Mike and others also braved the rain to support Elizabeth’s show.

A fun part of the evening was the “Harris Singers”, Elizabeth’s family playing a round of Ian Tyson’s Canadian classic song “Four Strong Winds”, joined in by all the gallery-goers present.

Since the show was so bright and colourful, I wanted to wear something that would complement it, so out of the closet came the Turkish shalvar pants that I’d purchased in Gumusluk a few years back.

Good old Ty was recruited to play bartender, a role he does very well.

See more from the opening here.

A wonderful colour reduction woodcut workshop was held at Miep’s studio over one weekend mid-July; even though I was exhausted from working so much, I just had to take that in and got a second wind as I dove back in to the joys of printmaking. Below Sara Norquay, an artist from Edmonton, led us in cutting and printing four colour prints on Japanese Shina wood blocks.

The workshop was very well-attended, with 15 of us taking up all possible spots in the studio to create our pieces.

Although some of these folks have done lino before, I think only one or two had tried woodcuts, a slightly more difficult relief printing medium, in that the blocks are harder to carve and require sharper tools. I had unearthed my cutting tools from the depths of our garage storage unit, where they had not seen the light of day for years so of course they were dull, dull, dull. Sara was kind enough to allow us to use some of her sharp tools, so I took advantage of that.

This process involved cutting two blocks (or in this case, both sides of one block) printing them in two different colours, then cutting away more material from the same two blocks and printing another two (different) colours to complete the image.

I also cut two smaller blocks that I intended to print on parts of my image (below). I decided on the spur of the moment to do something abstract so this composition, which I entitled Energetic Radish Heart, somehow appeared at the end of my gouge.

Not too get to much into the details of this process, I will just say that it’s a bit tricky figuring out how much wood to cut away and where on each of the two blocks to get the optimum results.

Charlie decided to do a portrait piece; above you can see the image he’s working from at the bottom left and below the first block with its colours inked up, red for the eyes and blue for the top.

Mary opted for an image commemorating her RCMP daughter’s trip to Vimy Ridge this spring for the memorial: here you can see the preparatory drawing, one of the blocks, the tools, and the first two colours printed.

Below Sandy is working on a colourful bear piece, with a rainbow roll sky.

After the first day we drove out to Linda and Rick’s place at Charlie Lake for a BBQ on what turned out to be a blustery evening.

Their property is very interesting, with lots of stone structures built by Rick by hand, including rock walls, garden beds, and the combination greenhouse, alchemy lab/storage room, and guest house below.

Sculptures by Rick and Linda are dotted around the property.

They also have grape and kiwi vines growing along some of the wooden trellises that Rick has made.

Inside the greenhouse portion of the building, Linda has many different plants growing, including tropical varieties.

While we toured the property, the guys barbecued the dinner.

Our second workshop day was spent finishing up the printing of our editions of 10 colour prints; Charlie was very happy with his piece, called Zombie.

I printed my first block yellow and the second a brilliant magenta red, seen below.

Below you can see the first two colours, printed by hand on Japanese mulberry paper.

Here are some of the works in process drying.

My third colour was a lovely lilac-pink, below rolled out and inked up.

One of the smaller blocks was also inked up in a deep transparent pthalo blue.

Below are two inking variations, the one of the left with the first yellow colour and the one on the right without it.

Linda, a biologist by training, made a puffin for her first ever print.

Some of the people opted to experiment with varying their colours, as in the landscape example by Sherry below.

My fourth colour was a frosty, minty green which I printed on a couple of the pieces, since I was not yet sure that’s what I wanted.

Linda’s turtle is coming along nicely, printed in transparent shades of green and yellow.

Above is Bev’s hummingbird, below is Mary’s completed Vimy piece and Sandy’s bear.

See more from the workshop here.

I have instituted a Gallery Artist in Residence series; our first artist this past Saturday was Lindsay, who looks very happy to be ensconced in the Gallery and painting up a storm!

Playwright and musician Deb and her husband Mike dropped by and we had a few laughs with them. Deb and Mike have a country-flavoured band that gigs around town.

Lindsay, who loves Emily Carr, created this treescape, as well as worked on two other pieces during the time she was in the gallery. It was great having her there.

With Lindsay below is Ronnie Roberts, a local writer who has a new science fiction novel coming out in August.

Sandra and I did the Fort St John Horticultural Society’s Annual Garden Tour this past weekend. Each of the six homes was out in Charlie Lake area, three out the end of Old Hope Road and the other three on the eastern side of the lake itself (near where Sandra used to live when her kids were small).

I had just met the couple who own the first place we visited at the gallery opening the other night: this place is 161 acres, with a large main house, a 2500 square foot shop and studio,

a corral for horses, several dugouts and a pond complete with small island, and a view out to the mountains west of here. It’s also for sale, so if you’ve ever fancied the northern life, here is your chance!

In one of the rock terraces that surround the garden a cast of an Icthyosaurus, cast from one of the local museum’s fossil collections, is embedded – very cool!

And a replica Easter Island head, brought north from Vancouver Island, presides over the front lawn.

Helen is an architect, painter, and potter, and I loved her enormous studio space, two rooms of which are pictured below.

The studio is three and a half times the size of our condo. I continue to be amazed at the amount of property and “stuff” that people up here have; it really boggles the mind – a very different lifestyle that I’m used to.

The second home we visited, “only” ten acres, had a tent of watercolour cards and small paintings, as well as potted plants, for sale.

The roosters below are for Maggie.

The couple also have a lovely rabbit, found by a neighbour hopping through their yard and now provided with a large mesh hutch here in the back yard.

Just down the road was the final garden on this part of the tour, owned by someone who is a bit of a comedian, apparently:

I really enjoyed the metal-and-wrapped-fabric sculpture of a heron standing around in one garden bed.

The canola crops are just coming in here in the fields, their yellow carpet an amazing contrast with the blue sky.

About half way through the tour, the weather turned stormy and began to rain, too bad! The last two places we visited in what became a torrential monsoon downpour.

The final stop on the tour was set up for vendors and had tents for refreshments; unfortunately, when we were there it was too wet and cold to stay outside for long and we beat a hasty retreat to the warmth of the car.

And, the ever-present wrecked car, this time a VW Bug in the weeds.

See more pics here  and here.

 

Bright Nights (and Days) in June

(Above: Peter Vogelaar works on the sand sculpture celebrating the 25th anniversary of the North Peace Cultural Centre on June 6. – Aleisha Hendry Photo)
“It’s 10 feet high, 16 feet long, and, if you could lift it, weighs roughly 30 tons. Artist Peter Vogelaar has been plying his trade and etching out a massive sand sculpture at the North Peace Cultural Centre over the last week—his ode to the centre’s 25th anniversary celebrations taking place this weekend.

It’s a welcome and fitting return home for the former Fort St. John resident and business owner. “I’m sure I’m going to have tons of people coming up saying hi,” Vogelaar said last week. “I’m excited. I’m looking forward to coming back and seeing friends and helping to celebrate the cultural centre.”

With fellow artist Denis Kleine lending his hands to the project, the two are combining a series of images of some of the top performers who have played the centre and the locals who have enjoyed it in return.” (Matt Preprost, Alaska Highway News)

(Photo above Irene Gut)

It has been hot and sunny here for weeks, but of course the weather forecast for the big week-long June arts celebration was for torrential rain. Many eyes anxiously watched the skies and the weather report as it was modified from day to day. Luckily the projected downpour did not materialise until the end of the event and the celebration was held in good weather; good thing, or this incredible sand sculpture would have melted away like snow in the Sahara.

Friday June 9 events included the Miniprint show opening at Whole Wheat and Honey, the Federation of Canadian Artists opening at the Peace Gallery North and the Bright Nights In June Arts Gala in the Theatre at the North Peace Cultural Centre, bringing together loads of local talent. Here is the invitation with details:

Friday June 9th, 2017 – Bright Nights in June Gala
6:00pm:
1940’s themed evening, cocktails and hors d’oeuvres to commemorate 75 years of the Alaska Highway.
Peace Gallery North’s Exhibit Opening “Our Home and Native Land” to celebrate 150 years of Canada.
There will be a sand sculpture created over the previous week by Peter Vogelaar and Denis Kleine to celebrate our 25th anniversary. Please make sure you check it out before the Gala begins.
7:30pm:
Gala performance showcasing 25 years of the North Peace Cultural Centre
Join us to recognize and enjoy the arts as we support our local talent as well as headline performers who started their artistic journey right here in our community, including artists like world renowned composer Peter-Anthony Togni, tap dance prodigy Brock Jellison, and contemporary dancer Shannon May. We are also pleased to bring back some of our favorite performers, country singer Tom Cole, up and coming singer songwriter Tanisha Ray, pianists Dana Pederson and Wesley Phan, violinist Lance Stoney, as well as four local dance companies including Studio 2 Stage Dance Academy, The Move Dance Centre, Peace Fusion Dance Company, and FSJ Latin Dance.
It will be an evening to remember as we honour the talent of the past, present, and future in the North Peace region.

Note my logo on the brochure above …

Luckily, Ty was working days so he could join me for the evening’s festivities; here he enjoys a coffee and chat with Mary, one of the print artists. Along with the display on the walls, the print celebration included a door prize of relief prints and a raffle for one of the accordion book of hand-pulled prints, here arranged by Bev.

Ty & I purchased Mary’s raven woodcut, one of the inspirations for the print logo that I designed.

Mary, Charlie, Sandy and others did a wonderful job of setting up the exhibition, bringing in miniature easels for the tables.

After sampling the art and goodies there, we headed across the street to the Cultural Centre to catch up on the Gala events.

Parked outside the Centre is this campervan covered in portraits of Canadians, in celebration of Canada’s 150th Anniversary (well, it’s actually 15,000 years but who’s counting?). The Gala celebrates the Cultural Centre’s 25th birthday as well as the 75th Anniversary of the completion of the Alaska Highway.

Both Ty & I took a moment to pose in front of Sturgill, a gigantic moose crafted from driftwood by a local artist, now on permanent display in the Cultural Centre lobby. (I do wonder where she gets her driftwood, since there are no oceans anywhere near here … perhaps these are the remnants from the ancient ocean that used to cover this part of the world way back in the dinosaur era).

Here’s what Sturgill looks like from the front (photo Catherine Ruddell):

You may notice that Ty has shed some facial hair, rockin’ the Tom Selleck mustachioed Magnum PI look (he had to shave below the lower lip in order to be fitted for his required full face mask to protect against silica dust while on the site).

(Photos above and below by Twyla Jordan)

I had been unsure as to whether we’d be able to stay awake late enough to enjoy the Gala itself so hadn’t bought tickets (When you get up at five am, the evening ends pretty early). But at 5 minutes to the start, we both decided that, yes, we could do it, at least for the first few hours, joining the throng of culture mavens streaming towards the open theatre door.

Highlighted in the Gala were a number of dancers, one of which has gone on to become a professional dancer in the States, and troupes, musicians (a lot of country and a few classical), and actors (folks we knew from Stage North), all enjoyed by a large and enthusiastic crowd. Here are a few pics of the proceedings.

This group, the Energetic Dance Explosion, is a recent emergence onto the FSJ dance scene; they were great, especially the lead man, and the costumes, complete with multi-coloured flower headdresses and many sequins, were fabulous. They teach all kinds of Latin dancing – I may give that a whirl this winter.

When the first half of the show did not end until 9:30, we knew we had to beat a hasty retreat or we’d both be snoring in our seats for the second half. Apparently the show lasted 4 and a half hours – yikes!

Defying the weather predictions, Saturday dawned sunny and hot for the Big Print event in the Cultural Centre parking lot – huzzah! All the tents for the Art Market were set up the day before and the road roller was already on hand, just waiting for its foray into artmaking.

Alan, the Coordinator of the Gallery, had arranged for T-shirts to be made for the event, bright orange with a big blue roller logo.

Several members of the print group had their works on display and for sale (I understand that some sales were made) and were set up to do demos of relief printmaking.

Catherine, below, is a fabric artist who designs and cuts beautiful small block prints on rubber, used for stamping on fabric, a technique she learned in India.

Below you can see the quilt she’s made with the blockprinted fabrics. She also had several small works of printed fabric (framed below), one of which now has a home at our place.

Everyone was super excited and a bit nervous about the Big Printing, not having done it before. Alan researched the process online and watched a lot of video demos in order to get a handle on what needed to be done. Each artist had been given instructions on the size and depth of block to cut – 24″ by 48″ – to facilitate the printing procedure. Most were making relief prints and working on MDF particle board, but a couple used lino glued onto wood and Judy tried a collograph on matteboard (below is the plate).

Judy’s plate was gorgeous and very ingenious: she used a matte board support, onto which she placed real maple leaves. Glue was then applied  to the board with a gluestick and a sheet of heavy duty aluminum foil placed on top, more than covering the entire surface. The uninked plate was then rolled over by the road roller, sealing the foil onto the surface. Judy then folded over the edges of the foil to create a seamless surface for inking.

(Photo above by Irene Gut). Here is the plate, all inked up and glowing in the sun.

Here is the print itself, hanging on the metal fence to dry.

As the morning unfolded, it started to get hot and the inking table had to be moved into the shade because the ink was drying too fast. Below you can just see my back end on the left helping Mary ink her plate (photo by Irene Gut).

Alan had made a jig for the plates and here you can see one of them being placed in front of the roller, ready to go. After slipping the plate into the wooden jig, the beige fiberboard is added, then carpet underlay, and finally a piece of carpet, all sandwiched together in front of the roller.

Here are some photos of the action: it takes a village (or at least a soccer team’s worth of people) to pull this off.

Below you can see four of us working on inking up Catherine’s block, cut pieces of lino mounted on wood, to be printed on fabric. From Catherine: “This shape represents the small stone bead that was found at the Charlie Lake Caves when they were excavated by SFU in the early 1980’s. It was dated to be over 10,000 years old, and along with the other artifacts found at the site, they are considered to be the oldest evidence of paleo-Indian ritual acts in Canada.”

(3 photos above by Niki Hedges). Here is Catherine’s final work drying on the fence (photo by Irene Gut):

Below you can see the entire process of printing Diana Hofmann’s linocut, with imagery based on this passage from The Story of Mankind by Hendrik Willem Van Loon: ‘High up in the north, in the land called Svithjod, there stands a rock. It is a hundred miles high and a hundred miles wide. Once every thousand years a little bird comes to this rock to sharpen its beak. When the rock has thus been worn away, then a single day of eternity will have gone by.’

Here are a couple of details from the plate:

All the prints were really great and everyone loved the process. Although there had been some concern about how it would go, the day was a smashing success, with the crowd clapping and roaring its approval as each print was pulled off the plate and revealed. Here are the rest of the prints:

Alan’s two landscape linocuts (photos by Irene Gut):

Linda’s Eat Fresh and shellacked block:

Miep’s two Howling Wolves (photos Irene Gut):

And Mary’s Trees.

We also had a grad photobomb, recorded here by Niki Hedges:

Another fun part of the day was the printmaking for kids classes, relief on styrofoam taught by Diana, assisted by Arlene and another woman whose name I do not know, and gell printing by Sandy.

And, to top it off, live music all day long, this set by my playwright friend Deb and her band:

To see many more pictures, and video clips of all the plates being printed, click here.

After enjoying that wonderful weekend, Ty anad I headed to Beatton Park to walk the cross country skiing trails (now summer walking trails) on a beautiful sunny afternoon.

The variety of greens in the trees, foliage, and underbrush is amazing. We were alone in the forest this day, with the butterflies and birds.

There are a lot of Monarch butterflies in this part of the world, feasting on the multitudes of dandylion flowers that proliferate here.

Beatton Park has about 15 kilometers of X Country ski trails, now green and covered in many different types of low to the ground wildflowers.

The water level of the lake has receded the last few weeks and the beach is now open for business once again after having been flooded for a few months.

And I think I’ve discovered where the driftwood comes from in these parts; the lakeshore is covered in it in one section of the beach.

And, of course we had to pop in to the deck at Jackfish Dundee for a brew to cap the day – Carpe Diem folks!! Make hay while the sun shines.