Painters at Painter’s, Campbell River

Every year art aficionados gather at Painters Lodge in Campbell River on Vancouver Island to rub shoulders with local artists. This year, the 21st year of the Painters at Painter’s art extravaganza, saw yours truly and seven of the Turkish Ten converge on Campbell River for this event.

The Lodge is very nice, situated on several waterfront acres facing Quadra Island, with gorgeous gardens (and flowers blooming several weeks ahead of schedule – global climate change, anyone?) and several buildings worth of rooms. Another nice feature is the pool, a real sun trap on what turned out to be a fabulous hot summery weekend.

Lidia was kind enough to invite us over for drinks and nibblies to her waterfront room on Friday night and we convened at Kathy’s home on the hill overlooking the ocean on Saturday night. While the art work on display at Painter’s was mostly not of interest to me, I did appreciate the skill evidenced and some of the technical info dispensed at the various workshops.

The weekend consisted of presentations, demonstrations, and panel discussions by painters, mostly local and mostly associated with the Federation of Canadian Artists, held in several different venues around the grounds. First up, in the big tent on the tennis courts, was “Face to Face”.

Four artists demonstrated their varying approaches to portrait painting, with fellow artist Rick McDiarmid the willing model and Andy Wooldridge the MC. Kiff Holland opted for pastel, while David Goatley & Catherine Moffat used oil paints and Alan Wylie acrylic. The tent was very well set up, with two large screens on either side of the stage displaying close-ups of the paintings as they progressed.

It was very interesting to see how each artist began the project. It was obvious watching David that here was a man who does this for a living. He very quickly drew out and blocked in the bust of his subject, using swift and sure brush strokes.

Catherine was more tentative and worked from the outside of the face in with light, grey strokes.

Kiff’s pastel portrait began with what looked to be a not very promising sketch of the model’s features but soon resolved into something finely realised. From my vantage point it was not possible to see much of what Alan was doing.

Master of ceremonies Andy Wooldridge was both amusing and informative as he commented on the proceedings and answered questions from the audience. In fact, the commentary seemed to me like that heard while watching a snooker championship or a poker game.

That this event continues to get such a large audience every year is testament to the abilities of these folks to engage onlookers in their process.

Up next was Country Mouse, City Mouse, an account of the careers and studios of Nanaimo artists Grant Leier and Nixie Barton, whose work I do enjoy.

Nixie works in encaustic, executing semi-abstract images of flowers and patterns. Grant’s work is unabashedly decorative, highly detailed and colourful; his intent is to give pleasure and that obviously works for the many people who buy his paintings.

Ten of us convened for the famous brunch in the main building and consumed quantities of seafood, roast lamb, salad, roasted veggies, and a vast array of sweets – fabulous.

The afternoon saw several of us poolside, baking in the heat and dipping in the water, after checking out a few minutes of Keith Hiscock’s still life demo and before a panel discussion with six of the artists moderated by Nicholas Pearce.

Since I have heard, and participated in, these sorts of discussions about art more times than I can count, their conclusions didn’t particularly grip me. However, the rest of the audience seemed to appreciate what these artists had to say and gave them a warm round of applause. It must be very satisfying for these folks to have such an enthusiastic following of art lovers.

On Sunday morning three of us took the water taxi across to the April Point resort and had a stroll around the grounds, with a nice view of the islands and mountains of the coast, before another fabulous feast, after which we rolled back down the highway and onto the ferry.

In the waters around April Point orange sea urchins are very plentiful, but very few starfish, only a couple of ten-armed orange seastars clinging to the rocks.

See more photos here  Painters at Painter’s.

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