For the Dia de las Flores, Ty and I decorated the front archways of our colonial house; using locally-made masks of Death (a tiny tin skull wearing a black sombrero) and the Devil (a papier mache horned demon mask) we recreated the encounter of Death, the Devil, and the Maiden imagined so starkly in images such as those below by Hans Baldung Grien.
Death and the Maiden by Hans Baldung, 1510
Death and the Maiden by Hans Baldung, 1518
“In this painting a voluptuous young maiden turns to receive the kiss of her lover, only to discover, to her horror, Death. The skeletal figure gently holds her head, a gesture that belies the finality of his impending bite. His patches of wispy hair and rotting skin mock her flowing tresses and supple flesh. The dark setting, unnoticed at first, is a cemetery as she stands on a gravestone, perhaps her own. This Vanitas picture (an image that alludes to the transience of life) typifies Baldung’s predilection for erotically charged twists to more conventional themes, such as the Dance of Death. ” (Web Gallery of Art)
For more information on the Memento Mori, and other installations on this theme that I had done, click here and here.
See all the photos of the Guanajuato piece here.
The Seven Sorrows of the Virgin (source: Antonio De Jesús Aguado):
She was unable to find shelter for the birth of her son.
When Mary took the infant Jesus to the temple for circumcision, the prophet Simeon told her, “A sword will go through your heart,” referring to her future suffering for her son.
Mary and Joseph fled to Egypt after King Herod tried to kill Jesus.
Mary and Joseph lost track of Jesus in Jerusalem and found him preaching in the temple.
Mary met her son on the way to Calvary.
The crucifixion of Christ.
The burial of Jesus and Mary’s solitude.
One of the most sumptuous and popular celebrations in Mexico is Semana Santa (Holy Week), which begins with the Viernes de Dolores (Friday of Our Lady of Sorrows), celebrated the last Friday of Lent. It is dedicated to the seven sorrows that Mary suffered before and after her son’s death.
In Mexico the tradition of putting up the altar of sorrows dates from the 16th century, and it was widespread in Mexican homes in the 18th century. The altar was meant to comfort the Virgin Mary, who eight days later would suffer at her son’s death.
Main elements of the altar for Viernes de Dolores:
The elements included in the altar have changed over the years; in earlier times purple and white fabrics were used, as well as mountains (made of cardboard) representing Calvary. The main images are always the Virgin of Sorrows and Christ. The surrounding elements represent the suffering felt by the Virgin Mary when she finds out that her son has been condemned to death.
The most common elements and their meaning include these:
Altar cloths and white flowers: Mary’s purity
Purple cloak: pain and penitence
Bitter oranges: the Virgin’s sorrow. These oranges are painted gold in order to recall the joy of the resurrection.
Fresh chamomile: its colors represent humility (green) and beauty in body and soul (yellow).
Sprouting wheat: represents Christ as Eucharistic bread
Ice cream, flavored water and pumpkin candies: the Virgin’s sweet tears
On Viernes de Dolores the places which have public altars also distribute flavoured water and ice cream. Above is a lineup for water and ice cream at one of the local fruit and vegetable shops; below is the shop’s altar. Lots of big buses rolled into town and disgorged hundreds of schoolkids to take part in Viernes de Dolores. On this page are just some of the altars set up in public places throughout Guanajuato. Many of them utilised the same picture of the Virgin (the one in the photo below). A few branched out and either made their own images or used portraits that looked more like Orthodox Church representations. Some of the larger, more elaborate altars also included sculptural effigies.
The altar below was erected on the hillside right near our place.
This little guy often greets us as we walk up and down the looooonngg flights of stairs to get to our house.